email a friend iconprinter friendly iconAppalachian Dulcimers
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The shape and size of the instrument, as well as the type of woods used to construct it, influence the quality of the sound. Originally, luthiers used roughed planks of hardwoods native to the region, such as walnut or maple, to craft the back and sides of the dulcimer, while reserving softer, more resonant woods like spruce for the soundboard. The boards were fastened together using hide glue, made from melting down animal hides, bone, and connective tissue. They cut sound holes in the shape of hearts, scrolls, diamonds, stars, and other designs, and used wire to fashion frets, pressing them into slots cut into the fretboard. Wooden pegs formed the tuners, and wire or gut strings were stretched across the body of the instrument. Dulcimers were varnished with lacquer or oil, or simply waxed for a more rustic appearance. Several regional variations of dulcimers developed, a measure of the geographic seclusion of these early craftspeople.

Although Appalachian music remained regionally isolated up until the 1920s and '30s, the American folk revival movement in the 1950s and '60s spread Appalachian traditions—including dulcimers—across the country and around the world. This renewed interest in folk music and culture brought new developments to the mountain dulcimer. Instrument makers added frets and strings, experimented with a greater variety of woods, and made other modifications to achieve a wider range of sounds. They began to use mechanical tuners, and experimented with artistic inlays on the fretboards, from mother-of-pearl to shells and ivory.

Today small groups of dulcimer enthusiasts—makers, players, and teachers—keep the passion for this instrument alive. One of the best places to learn more about dulcimers is at one of the workshops or performances organized during the fascinating dulcimer festivals that take place across the Appalachian states and beyond. The most popular include Kentucky Music Week and Mountain Dulcimer Week sponsored by Western Carolina University.

Today, the art of mountain dulcimer-making lies in the hands of a few stewards of traditional folk culture scattered across Kentucky, Tennessee, North Carolina, and Virginia. Several of the craft's most esteemed artisans have passed away in the last two decades, but fortunately, a few others have moved in to continue this tradition. You can expect to pay a few hundred dollars for a traditional handmade dulcimer, and up to $1,500 for a finer instrument—a relative bargain considering that some artisans may deliver a custom instrument only after a period of weeks or months. Whether you want to learn to play or to collect a dulcimer as a piece of history, it's hard to go wrong with one of America's most distinctive craft traditions.

Laura Morelli is an art historian with a passion for the world's artisanal traditions. She writes a regular column for National Geographic Traveler online called "The Genuine Article." Laura also authors a guidebook series, including Made in Italy, Made in France, and Made in the Southwest, which leads travelers to the world's most authentic shopping experiences. She holds a B.A. in languages and a Ph.D. in art history from Yale University. www.lauramorelli.com
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